I introduced a friend to ATLA a few nights ago, and they had only
known two things about the entire show: the cabbage meme, and that Aang
apparently wants to ride every large and dangerous animal he can
possibly find. We got through the first five or so episodes, and my
friend noted that Aang is exactly what a 12-year-old would be like if
given godlike powers, and that this is literally just what he
could do with airbending. He can’t even wield any of the other elements,
and he’s one of the most powerful people on the planet, because he’s an
airbender.
And that got me thinking.
This snippet from Bitter Work is one of the few pieces of concrete information we get about the airbenders, at least in ATLA. Iroh is explaining to Zuko how all four of the elements connect to the world and to each other.
Fire is the element of power, of desire and will, of ambition and the ability to see it through. Power is crucial to the world; without it, there’s no drive, no momentum, no push. But fire can easily grow out of control and become dangerous; it can become unpredictable, unless it is nurtured and watched and structured.
Earth is the element of substance, persistence, and enduring. Earth is strong, consistent, and blunt. It can construct things with a sense of permanence; a house, a town, a walled city. But earth is also stubborn; it’s liable to get stuck, dig in, and stay put even when it’s best to move on.
Water is the element of change, of adaptation, of movement. Water is incredibly powerful both as a liquid and a solid; it will flow and redirect. But it also will change, even when you don’t want it to; ice will melt, liquid will evaporate. A life dedicated to change necessarily involves constant movement, never putting down roots, never letting yourself become too comfortable.
We see only a few flashbacks to Aang’s life in the temples, and we get a sense of who he was and what kind of upbringing he had.
This is a preteen with the power to fucking fly. He’s got no fear of falling, and a much reduced fear of death. There’s a reason why the sages avoid telling the new avatar their status until they turn sixteen; could you imagine a firebender, at twelve years old, learning that they were going to be the most powerful person in the whole world? Depending on that child, that could go so badly.
But the thing about Aang, and the thing about the Air Nomads, is that they were part of the world too. They contributed to the balance, and then they were all but wiped out by Sozin. What was lost, there? Was it freedom? Yes, but I think there’s something else too, and it’s just yet another piece of the utter brilliance of the worldbuilding of ATLA.
To recap: we have power to push us forward; we have stability to keep us strong; we have change to keep us moving.
And then we have this guy.
The air nomads brought fun to the world. They brought a very literal sense of lightheartedness.
Sozin saw this as a weakness. I think a lot of the world did, in ATLA. Why do the Air Nomads bother, right? They’re just up there in their temples, playing games, baking pies in order to throw them as a gag. As Iroh said above, they had pretty great senses of humour, and they didn’t take themselves too seriously.
But that’s a huge part of having a world of balance and peace.
It’s not just about power, or might, or the ability to adapt. You can have all of those, but you also need fun. You need the ability to be vulnerable, to have no ambitions beyond just having a good day. You need to be able to embrace silliness, to nurture play, to have that space where a very specific kind of emotional growth can occur. Fun makes a hard life a little easier. Fun makes your own mortality a little less frightening to grasp. Fun is the spaces in between, that can’t be measured by money or military might. Fun is what nurtures imagination, allows you to see a situation in a whole new light, to find new solutions to problems previously considered impossible.
Fun is what makes a stranger into a friend, rather than an enemy.
When I worked in a tea shop, I actually got a few people coming in requesting jasmine tea. Why jasmine? Because that’s what Uncle Iroh would drink on Avatar: The Last Airbender.
So here’s something to think about:
Even though he was royalty, Uncle Iroh was a master of preparing his own tea– even after he left with Zuko, he could always be seen preparing it on his own, eventually opening a successful tea shop when the one he worked at turned out to be awful.
For a firebender, heating a pot of water wouldn’t be difficult– a few seconds of rage and you’d have it at a rolling boil– but a rolling boil would ruin the tea.
The secret to a good cup of tea is often in the temperature of water that you use.
Jasmine, green and white tea tends to need between 160-180* F (71-82*C)– go any higher than that, and you’ll scald the leaves and wind up with bitter tea. Let it steep for too long, and it’ll scald anyway. So you can’t just boil the hell out of it and walk away; to be really good, a cup of tea needs a lower temperature and a softer flame. It needs patience and attention. And that’s where Uncle Iroh excelled.
It was such a wonderful character detail, and I love it so.
…I…wait…I just…b…
*Gags* “This tea is nothing more than hot leaf juice!”
“Uncle…that’s what all tea is.”
“How could a member of my own family say something so horrible?”
DO YOU MEAN THAT ZUKO NEVER PREPARED A GOOD CUP OF TEA BEFORE BECAUSE HE WAS TOO IMPATIENT TO PROPERLY HEAT IT AND THAT IROH PUT TWO AND TWO TOGETHER RIGHT THEN AND THERE?
“We’ll have to make some major changes around here!” — His next line which he says firmly, grabbing the teapot and looking at Zuko as he turns.
Like literally after this the main plotpoint between these two is Iroh teaching Zuko how to be more patient/kind/open-minded while also teaching him how to properly work in the tea shop and I just…do you mean to tell me those two were actually not just random meshing plotpoints but were a direct correlation?
Sometimes I can’t stop thinking about how Zuko accidentally spoke against his father and begged for forgiveness, on his knees with tears in his eyes, and got half his face burned off and banished from his home
Then Zuko betrayed his uncle and everything Iroh had ever taught him, begged for forgiveness on his knees with tears in his eyes, and got a hug and complete forgiveness and unconditional love
Can you believe 14 year old azula delivered the best line of any villain ever “don’t flatter yourself. You were never even a player” iconic
Actually the best line of any villain ever was, “Maybe you should worry less about the tides, who’ve already made up their mind about killing you, and worry more about me, who’s still mulling it over.” Also spoken by Azula, age 14.
I- I just can’t get over Zuko and his arc. Everything he did – everything – was out of this insane drive to prove everyone wrong, to prove that he was worth something, and it amazes me that he never realized just how valuable he already was.
His sister tells him ‘You waste all your time playing with knives. You’re not even good!’ and he masters dual swords.
His sister is a prodigy and he’s told he’ll never catch up. He learns from dragons. He trains the Avatar. He takes her down (with the help of a very skilled waterbender)
He’s left behind by his mother, cast out by his father, hunted by his sister, and Zuko still learns unconditional love.
His father tells him he’s worthless and unloved, that he was ‘lucky to be born,’
and he becomes a man that the world is proud of.
Anything his family said to him, he managed to turn around and build on it. He thrived on it, exploded from it, turned all the negativity into a positive path and it’s just… it’s amazing.
There’s just no end to my love for this character. No fucking end.
Bonus: The weak, banished prince has fangirls for all the ages. Take that, Ozai.
wait no fucking way “there is no war in ba sing se” is an anime thing? from avatar? i thought i t was a real thing like a quote from some Important Literature that i had never heard of that must have some sort of marxist importance but no it’s from a show about a kid with a pet buffalo
um it’s a fucking bison
the best part about it is that the warden was voiced by george takei
ok so i screenshotted this moment because i thought it was pretty cool
the first time we get to see all four elements working together for a common enemy, blah blah blah, but i started laughing because
sokka’s fucking boomerang. sokka threw a fucking boomerang at princess azula, renowned lightning bender and heir-apparent to the throne of the fire nation.
and sokka threw a boomerang at her.
I said it once and i say it again.
Azula considered Sokka to be the biggest threat in this group and countered him first. What this picture miss is Sokka sanding nearby. All members of this group unleash their attack at same time, but Azula reacts to boomerang first. If you watch this part in slow motion, you could see that Sokka’s boomerang was the first thing that would hit Azula and may even incapacitate her making her unable to continue to fight. So she had to counter in first. She deflected it with well placed shoot.
Then and only then, when there is no immediate threat, she starts to create her blue fire wall to counter other elements.
Lets think about this. How hard should you have to throw something to make it move faster that any elemental attack? Either all elemental attacks are slow or you are pretty strong. That said nonbenders with good aim and strong hands could easily overpower benders if they timed it right.(Aang got captured by Yuan archers who are all nonbenders.) Azula knew of this and acted according to it. She is talented bender and you may think that she should enlist other benders to help her track and capture Zuko, Iroh, and later avatar, but instead she uses her nonbender friend to help her.
Even if you have no bending you can still fight… and win.
Let’s not forget that on the Day of Black Sun, Sokka was the one in charge and Azula was no idiot Azula knew that.
When Aang, Sokka, and Toph all confronted Azula, she proceeded to make them chase her and waste their time. Azula is not only talented, she’s sly and smart as hell. WHO WAS THE ONE WHO SAW THROUGH THAT BS CHASE?
Sokka.
NOT ONLY THAT but after Sokka explains to the Gaang that Azula is just baiting them, Azula actually verbally attacks Sokka. Not through fighting, but through words, knowing not only that an intelligent person like him could only be brought down with emotions BUT that Sokka was the leader and if she could get him the stay, Aang and Toph would follow his lead.
Azula knew Sokka was their strength and took him down. WOULD SHE DO THAT IF HE WASNT A SIGNIFICANT THREAT TO HER!!??!
No. She wouldn’t waste her time and energy on someone she didn’t think was capable of actually getting in her way.
WHEN SHE GETS HER FIREBENDING BACK SHE HAS THE OPTION OF ATTACKING BADASS METAL BENDING TOPH AND THE FUCKING AVATAR
WHO DOES SHE ATTACK?!?!
Azula never underestimated the power of non benders especially an intelligent one like Sokka. Sokka was a huge threat to fucking Azula on multiple occasions.
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